Pure voice we do not see him, we hear him",(2) this "pure voice" operates in a very particular way: Although Bakhtin notes that "Dostoevsky's is not an objectified image but an autonomous discourse, In order to situate the game as it is orchestrated by Dostoevsky, it is helpful to consider Bakhtin's insights into the mechanism used to animate the Underground Man: his preoccupation with, and dependence on, the impression he makes on those around him. Notes from Underground will reveal the nature of that game, the identity of its players, and the small detail that contains the key to its solution. Fischman, Brown Universityĭescribing the discourse of Dostoevsky's Man in Notes from Underground, Mikhail Bakhtin concludes that it "cannot be seen as a lyrical or epic discourse, calmly gravitating toward itself and its referential object no, first and foremost one reacts to it, responds to it, is drawn into its game."(1) Bakhtin 's last word should be carefully noted, for there
Sigmund Freud and the Case of the Underground Man Susan C. Dostoevsky Studies :: Sigmund Freud and the Case of the Underground Man
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